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“[This] contralto is splendid - you can feel the presence of Kathleen Ferrier's spirit - and White knows how to make every word intelligible and give it meaning. "Ah quel giorno", Arsace's virtuoso air in Rossini's Semiramide, confirms these virtues of diction and gives the full measure of the extent and homogeneity of the timbre, adding to it the perfectly mastered virtuosity of the final rolls. ...

They are again splendid in colors, nuances and expressiveness.” 

- Nicolas Blanmont, LaLibre, translation

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